So I felt thats something to give.. Jantje Friese and Baran bo Odar discuss what they kept from set and the difficulty of letting go once filming on the series ended. If you're ready, you can also read our series finale recap and explainer. So, yeah, that was my personal gift that I wanted to give, but obviously still trying to be entertaining while giving it.. To achieve this, Odar says Friese initially wrote the scripts in English, and then writers and translators from all over the world advised on the parts that needed to be in other languages. That was one of the cornerstones to developing the third season. [Editors Note: The following contains spoilers for Seasons 1 and 2 of Dark.]. I think the two concepts needed two different kinds of storytelling. It was not the new stuff that we added throughout the second season that was the hardest thing to tackle, it was really being true to where we wanted to go in the end.. The setting is a migrant steamship bound from Europe to New York, filled with immigrants all running away from something, none of whom, we quickly realize, are quite what they seem. Sometimes on set, the actors would deliver a really great performance, but they used the wrong hand. That was actually very difficult to have a big enough pool of women to choose from, which I thought was quite sad.. Science and religion clashed a lot. Thats crazy because that like, usually you have to look for for nose [physiology] because thats the most [obvious] pointing thing.. . I think you have to watch carefully, because every little piece means something. And I dont want to spoil the meaning of that yet. Wrapping up the Dark story next season hasnt been an easy process, even though filming is already underway. The reoccurring triangle symbol itself represents the element earth. But what happened on that ship? "To create worlds you need to create patterns, and the best way to create patterns is by using symbols," he said. Its both hopeful and ominous at the same time. I love challenges, and I get bored very easily, even on set. ' Odar said in a recent interview with IndieWire. See how the filmmakers used 'Volume' to create a story at sea. Our idea was always to do Greek tragedy below it even though its a sci-fi show, a mystery show, in its core, its really about human relationships and how fucked up they can be.. We asked creators Jantje Friese and Baran bo Odar as many of those questions as we could. Here are all these hints who will figure out [what] at what moment? All Rights Reserved. Related Writing is really about going back and forth between all three of them. Even after watching it, there is no such thing as a cursory consideration of its events; each and every character who lives in the fictional town of Winden, Germany is greatly impacted by one another, whether its because someone is secretly someone elses time-traveling father or, weirder still, their own time-traveling granddaughter. From Barbie to The Flash, Here Are the Movies That Made the Biggest Impact at CinemaCon. I was like, Wow, its such a cool concept. When it came time for Martha (Lisa Vicari) to take on some of the some iconography that in previous seasons was associated with Jonas (Louis Hofmann), that exchange between the two main characters made for a moment that forced them and series co-creators Jantje Friese and Baran bo Odar to recalibrate a little. Come along for the ride! Friese: I think its something about growing up in Europe, or growing up as a German, when you consume entertainment, which, at least in our experience, is coming largely from Hollywood. Dark couldnt cast people who were too distinct though, in the interests of the mystery. 2023 The Hollywood Reporter, LLC. Watchers of the show can lean on some helpful online resources while they watch, such as the extensive official companion website that recaps important plot points organized by character, time period, place, and important object. For instance, the ship's dining room, which is a pivotal set piece on the show, was not an actual physical room that they built. Two weeks after the release of Season 1, I was on Twitter honestly 24 hours a day. So, as I said, we learned a lot. "We always work with symbols and objects, and we always have usually one specific object that is tied to one character. Do you feel you have said all there is to say about these characters and this world? We wanted to be fair and just to each of the characters, but obviously some of the endings needed to be cut out or just arranged in a different way, Friese said. Thats why theres a viewer learning curve at the beginning, trying to tell one German person apart from another. We wanted to make sure we got there. There was something fascinating about exactly that moment in time. bo Odar: We always think any piece of pop culture should be a reference to some other element of pop culture. 1899, which made the TIFF Primetime Program Friese: We didnt want to copy exactly the way we structured things inDark. Is that aMatrixreference? ", But amid all the symbology and references to religion and philosophical theory, there is one very simple concept that unites it all: the notion of an immutable past that, quite literally, in this case, always catches up to the present, and in so doing, informs the future. Then at some point, when I feel stronger or happier with whats there, I put it down in pencil. Some of the stuff we decided that you kind of figure it out yourself. You can do a lot of things with it. To mirror the world we know, we could either do that by rebuilding all of the sets. Odar adds, "But is it the right one? A scene from Netflixs 1899 in the Dark Bay LED Volume studio at Studio Babelsberg, Willie Nelson Turns 90: Keith Richards Joins Hollywood Bowl Bash, R.M.N. 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It creates such a powerful illusion that, in the beginning, the crew and actors were actually getting seasick because the horizon was moving on the volume screen. They have something almost like emoticons at the end of every sentence, in order to understand how that sentence is meant. It's Me, Margaret' to 'R.M.N. bo Odar:Thats a message to Final Draft: Work on that script notes function. He almost reveals what happens before hes interrupted. You have to change the titles on them and mirror them. Poguelandia is not quite the paradise the Pogues hoped. ", The poster for 1899 (below) shows a ship perched on the edge of a triangle in the middle of the ocean, leading some fans to speculate that the mysterious Bermuda Triangle myth could play a part in the story. Friese credits casting director Simone Br for the series uncanny casting coups. We had a lot of photography from really weird people with very strange lighting setups that created a very interesting isolation of the figures in the images. Friese and Odar are coy when asked about it. We thought: We really want to take a look at Europe, just take it, put it on a ship, in a confined space, with lots of ocean around, where you cant escape, and have like a little bit of an experiment, almost like a laboratory experiment. Fox Says Battle With Parkinsons Disease Keeps Getting Tougher: Im Not Going to Be 80, TV Premiere Dates 2022: The Complete Guide, Broadcast TV Unscripted Scorecard 2022: Whats New, Renewed and Canceled, TV Pilots 2022: The Complete Broadcast Guide, The Definitive Voice of Entertainment News. Friese knows the reason for his injury and eye patch, but wouldn't reveal what happened. Go Behind the Cutting-Edge Technology of 1899. Netflix has yet to address the viewership for Season 2 since it was only released recently on June 21, but the show is already in production for its third and final season, which will air sometime in 2020. In the first season ofDark we still had stuff on the walls, but no one ever looked at it. the prospect of diving into another twisty metaverse from the minds of Dark creators Jantje Friese and Baran bo Odar likely comes with equal measures of excitement and trepidation. We spoke to Dark co-creators Baran bo Odar and Jantje Friese about saying farewell to the series, the spiritual and mythological influences they crammed into the third season's eight episodes,. "We hate green screen, always did. In terms of how long 1899 might run, Friese says the pair are trying their best to make it a multi-season show, but notes that "it depends on the viewers", as well as Netflix. FrieseThat was the whole point of the show. But of course, movies likeThe ShiningorAlien, where you have a contained situation like a ship or hotel where people are stuck and they cant escape it, that creepy feeling of corridors and how much you can see or not see, that was definitely a major influence visually. "I don't know if that's a German thing. Baran bo Odar and Jantje Friese, the German creators of buzzy cult series Dark and 1899, have been tapped to develop a series. Fortunately the similarities between some of the older and younger actors are so uncanny that often other clues arent necessary, and occasionally, some viewers are convinced that one actor has just been aged up using makeup and prosthetics such as in the case of Adult Ulrich (Oliver Masucci) and Elderly Ulrich (Winfried Glatzeder). 2023 IndieWire Media, LLC. What did you learn using the new tech? Odar: The question about Wollers eye is the question about, is there a god or not? 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In the development process we never thought of it as [just] a German show. Doors that used to be on the left side, were on the right side, Odar said. "When I read it, I was like, 'I finally got it!' [This story contains major spoilers for the final season of Netflixs Dark.]. We already have ideas for a second and third season on 1899, and it gets complicated. Need help finding something to watch? So you didnt have to really change the way that youre shooting; you can do the shot and the reverse shot in one day, which was really helpful. Old Ines (Angela Winkler) in actual life has a mole, so you put that on younger Ines when you tried to make them match.. Creators Baran bo Odar Jantje Friese Stars Emily Beecham Aneurin Barnard Andreas Pietschmann See production, box office & company info Watch on Netflix S1 with subscription Add to Watchlist Do I actually have free will? If youre in that core group, and youve figured it out, you should be proud of yourself, its an awesome experience. That relates to everything. I put a lot of thought into it: What kind of information and when do you explain certain rules? At first, they were like, Really? If you turn that around, it's the infinity symbol. And as we go through the process, the ideas can shift and move into a different position. Odar says there were two reasons why they opted to use this new technology, which has been used previously on shows such as Disney+'s The Mandalorian. How Ben Afflecks Air Makes the Case for Movie Theaters to Build Buzz, How Succession Trapped the Roy Family in a VIP Room of Grief in Episode 3, Movies Shot on Film 2023 Preview: From Oppenheimer to Killers of the Flower Moon and Maestro, How Gene Kelly and Singin in the Rain Taught John Wick to Fight, The 50 Best Movies of 2022, According to 165 Critics from Around the World, All 81 Titles Unceremoniously Removed from HBO Max (So Far), 10 Shows Canceled but Not Forgotten in 2022. In terms of the working process, what was good for us was to talk to the people who worked onThe Mandalorian and find out how they did it. And Prometheus, obviously, is also a little wink to the ending of Season 1. (!!!!). What it's like to film a show in multiple-languages. "But there are also things that are quite different in terms of atmosphere and tonality, but also pacing and more action-y stuff happening. Whats the space in which youre telling your story? And they love that show! "And we wanted to do a multilingual show that you treat all these different cultures with respect, and you don't just do it in English, or whatever language, and just pretend that they're all from these different cultures. Heres Everything You Need to Know, The Outer Banks Season 3 Trailer Just Washed Ashore, 1899 Ending Explained: Series Creators Reveal the Easter Eggs Leading to the Shocking Finale. "It's structured again as a three-season mystery puzzle just like Dark," Friese explains. We really try to be very true to our core audience, which just loves puzzles but also knows every code and every cultural reference. It just gets complicated when you try to figure out what comes first.". Every step they are doing, they're doing one after the other. Those were a key reference. I stick to a very weird process, which is that everything needs to fit into a book of [a certain] size. Is one powerful family to blame for the deaths of five people in the wilds of South Carolinas Lowcountry? And then you try to find ways to incorporate it throughout the story.". Its also an interesting time because there were such extreme points of view back then. En route, they encounter a mysterious second ship, the Prometheus, which has been missing for months, adrift on the open sea. You see Adam blowing wind on the one world, and on the other, you see Eva blowing wind on the other world. The other thing was really, What is German? What can we put out in the world apart from the Second World War which I still think is also in Dark, even though were not in the timeline. It could be a crying smiley face, or it could be a winking smiley face. Obviously, we were fighting for our own characters to to be heard, but then you just have to make choices.. Stay on top of the latest breaking film and TV news! They would need to completely crash. One doesnt need to actually understand how or why something happens on Dark although thats a bonus but just learning the end result of some of these time travel hijinks is entertainment in itself. You dont need to see it on screen. I went back three days after the end of shooting because I was really not feeling well, to be honest. In the middle, there may be some ideas that are more loosely thrown in. I personally feel that a lot of very great philosophers came out of from German history. "We started in Season 2 to outsource my brain, so to say," Friese explained in a Zoom interview. But everyone now has seen all three seasons, and it gets really complicated. We could create a huge dining room only with the volume tech. Its really mind-opening and I personally still read stuff and Im really blown away. And then the pandemic happens, the show was supposed to be shot in a very traditional way, where we would have gone to a water tank and we would have built ship set pieces and traveled to other countries to shoot scenes there and stuff like that," he says. Was this scene always part of the plan or was it something that developed in the writing? What happened in that period is that modernism clashed with old beliefs. The international cast worked on one of the biggest virtual stages in the world. Then if you know something about simulation or content creation in that space, maybe youdo understand what that means in our context. Friese: I completely agree. That was the thing Claudia wanted to achieve. And then, looking at expression and body language, and all these things, you get an understanding of the performance. On set, Odar had phonetic scripts to reference as he directed scenes, and language assistants would be standing by to make sure nothing got lost in translation. I mean, we're always mixing genres, but the DNA is not per se a horror show.". Baran bo Odar and Jantje Friese are pulling back the veil on their new puzzle box show. Thats why, for me, its a very happy ending, even though it feels very sad. America So She Could Breastfeed Privately, Michael J. We didnt try to make it easier. This series, like Dark, is a huge mystery, a mystery wrapped in an enigma. As with every character in Dark, when youre sure you know who the villain is or whos doing the bad thing, you should be open for what made them that way because. It always sounds to people like its easier to do a last season when you know where you going. I just felt that was such a multilayered story. What happened in that period is that modernism clashed with old beliefs. Was that deliberate? You know if something is urgent or not important. Making a splash: A deep dive into the live-action Little Mermaid with a new generation's Ariel. 101K views 5 years ago HeyUGuys interviews Director / Writer and creators Baran bo Odar & Jantje Friese for their brand new Netflix TV show Dark - the first original show to come out of Germany. Its like it was with the dinosaurs inJurassic Park. "There was a huge pressure because, first of all, we never expected that kind of success, and then it grew season for season," Friese tells EW. We were doing research for something completely different, I actually dont even remember what the research was for. The idea of the three worlds is constantly shown in the second season, through the picture in the book young Elisabeth is reading. The first season is actually very simple: Its a small town, with kids disappearing, and then theres some time travel events in the cave. ", Odar mentioned that it was a children's book on quantum physics that finally made it all make sense to him sort of. Netflix took over that idea and build another Volume set in Mexico using a turntable tool. Dark: Here Are 8 Easter Eggs You Might Have Missed Amidst All Those Time Travel Shenanigans "Because there are so many layers of science philosophy and metaphysics and spiritual stuff, and it was quite interesting to see that they are all actually talking about the same thing, just from different angles. There were a lot of [directions] we knew we wanted to go, but didnt necessarily know at which points in the narration we would address them. It's really awkward for us, this huge success, we always question it. You can actually do something good by not being there so someone else can be lucky and happy. We have the 'triquetra' and stuff like that [a three-pointed knot shape from the Iron Age that was adapted to represent the Christian Trinity]. It definitely has a new look: Not like green screen but also not the same as a classic set, something very much its own thing. The basic idea of Season 3 was something that we already had when we started. When Jantje Frieseand her partner Baran bo Odar created their German-language science fiction series "Dark" for Netflix, they had no idea that it would become an international hit. It was one of those pictures youre drawn to, where you immediately start asking questions: What did he do with that hammer? One plus eight is nine. Can we change anything? At first, you think everything is possible, but its not. All this we sort of incorporated into our story. But where they're going isn't to a different time period; she clicks a device and suggests they're going to a different world. Literally, it's bad. Was it always your intention to introduce multiple worlds from the outset? How do I free myself from my reactions to certain impulses? Odar:Thats the purest geometrical form you use to create all the other forms. When we got to the second season, we changed it again. The past shapes you and everything that happens.. You can try that for a day, and its really awkward to do if youre not left-handed. Friese said, That was the centerpiece of it all. We put a lot of effort into getting things right. When we got to the second season, we changed it again. We realized that was insane to do on costs. Season 3 picks up almost immediate with what happened in the last moments of the second season finale, after a character named Adam (who is purportedly a much older version of Jonas) shoots Martha, Jonas' love interest (and, as he learns, also his aunt), and a Martha doppelgnger suddenly arrives, a la Doc Brown at the end of Back to the Future, to whisk him away. Jantje Friese Actually, the idea and the spark for it happened years ago. Copyright 2023 Meredith Corporation. 2023 IndieWire Media, LLC. Interviews with leading film and TV creators about their process and craft. When Netflix was looking for the first German show, there were two things happening. We always knew we wanted to save Regina. But the biggest challenge was actually for actors to play everything in a mirrored way. We want to know where we are going. Some said: Oh, it felt more at ease, like it was easier to comprehend. [1] Work [ edit] Jantje Friese studied production and media management at the University of Television and Film Munich. They always knew where it would go, but they recently watched the last episode in the cinema and they were like, oh my God!, Odar: We dont play with the audience and treat them as fools and idiots; rather, the opposite. Then its really a lot of bouncing back and forth between the two of us at the beginning, throwing in random ideas in the beginning and trying to figure out what ideas actually stick. It was such an interesting challenge. Others will take more time because they might think its about the Bermuda Triangle or whatever. How composer Ben Frost creates dream-like sound design. Thats already in minute 10, 11. The 225 Best Horror Movies of All Time Jantje Friese: We wanted to introduce the parallel world in the second season. this link is to an external site that may or may not meet accessibility guidelines. While we still mourn the 1899 premature cancellation, star Rosalie Craig reveals showrunners Jantje. We planted it everywhere, but no one saw it yet. More scientific-oriented thinking started [influencing society] while you still had very religious beliefs [also prevalent], and those two things pulled on each other, old and new. The ending, knowing where youre going is one thing, but then finding the ways to get there is really a whole different challenge, said Friese. How does it feel to be almost in a prison, because you cant get out of yourself? When you see them in life and flesh, they dont look that much alike. Related Making a splash: A deep dive into the live-action, A strange mystery sets sail in beguiling sneak peek at, showrunner discusses the Netflix adaptation's story changes, The best crime movies on Netflix right now. Now I can spoil it: There is already a hint in Episode 1 when everyone is raising their teacup at the same moment. When the crew decides to board the Prometheus, things take a horrific, and decidedly weird, turn. According to Friese, creating the mythology of one of their shows is a long, painstaking process. I always liked the idea that there are two components who are opponents, fighting each other all of the time, actually having to realize that they are not important. How difficult was it for you, Baran, given that I assume you dont speak all, what, 10-12 languages your actors do? Its a very long and also very complicated process. Because if you cannot express certain emotions through your language then theyre almost non-existent in that culture. So that is like five pages of conversation between the writer, the translator, the language expert: Here should they say tu or vous? It became a really complicated process. We always approached it as a global show, but we never, never, never expected that kind of success.. Friese: I think its a relief for them compared to green screen, just because you can actually look at something. "It's a huge dining room, but it's actually just four pillars and a couple of tables and a couple of extras. ", "We're really bad at celebrating ourselves," he added. In a time where new genre television content feels rare and must be savored at all costs, one specific rabid fandom has a show to sell you on: Dark, Netflixs German time travel thriller from creators Baran bo Odar and Jantje Friese. Im obsessed with history, seeing how everything is related to each other, seeing the reasons for things. "In every season there is what I always call a bridge. Jantje Friese: It was actually really weird because I think there are so many people, especially in the industry, who are working, working, working, working to finally get to that moment of. There are a lot of symbols throughout, a lot of referencing systems in terms of religion, mythology.. "We always think we have. It was a really awkward feeling that day, Odar said. Thats where plot structure goes. Friese: Yes. 1899 also has a unique sound because, fitting with the theme of Europe you were talking about, you decided to have all your actors speak in their native languages. As we learn quickly in Season 3, the worlds are very similar but also slightly different, but time-travel is still in play and the other Martha and her world are still progressing toward the same world-shattering apocalypse that happened in Jonas' world. And I think, especially as a filmmaker, you love creating illusion. We thought it better to shift. Season 2 ended with Jonas being whisked away to another world, possibly another dimension by a version of his now-dead girlfriend Martha (Lisa Vicari). Those visual changes are built on the foundation of a braided narrative that stretches out across all three seasons of Dark. Ideas planted early in the series run return as the show moves toward its poignant ending. Sign up for our Email Newsletters here. In the series, a boy goes missing in the small German town of Winden, and as the series unspools, viewers learn that secrets, time travel, and a metaphysical battle between good and evil are behind that mystery. Naturally, that's by design, and is something fans should look out for as they watch. The entire script was in English, but everything was dual dialogue. One was we didnt want to do it and we were kind of pressured into it. Jantje Friese and Baran bo Odar have earned patience. If you want to have an authentic performance, its just better when actors perform in their own language. Jantje Friese (born 1977) is a German film producer and screenwriter known for co-creating the Netflix series Dark (2017-2020) and 1899 (2022) with her creative and romantic partner Baran bo Odar. Anything else would have felt like stretching it unnecessarily and making it more complicated on a narrative level. Baran bo Odar and Jantje Friese are absolute geniuses and have created an epic sci-fi story for smart people.they did not dumb it down at all even in the final season.the fact that this was an original idea and not based on a book etc gets them even more kudos.it's also obvious that they planned this entire story from the beginning and Odar promises another "very interesting, weird theme" to 1899, but can't reveal what it is. 'Dark': Season 2's Insane Ending and All the Burning Questions Season 3 Needs to Answer Could bruiseless avocados, sugarcane plastic and carbon-capturing concrete actually exist in real life? Do you have a huge board on the wall with red yarn linking up various elements? Friese: I dont know. And basically just concentrate on what we want to do and what we want to tell. "And it helped us see that we can trust our instincts, and there are people out there that are actually interested in our voice and what we have to say and how [we] tell stories.". Berlin, Germany - May 3rd, 2021 -- Today Netflix and DARK WAYS, the newly set-up production company helmed by Jantje Friese and Baran bo Odar, announced the start of production for their highly anticipated new Netflix original mystery-series 1899. So hopefully, ultimately, that is happening. Another part of the series that was touted when it was first announced was that 1899 would not be entirely in German, like Dark, nor would it be in any one language. So it was obviously challenging and not possible to do it in a traditional way. And if you ever tried that for one day, it is really weird and awkward.. All Rights Reserved. But the novel is so voluminous that the miniseries format makes more sense." We thought it better to shift the puzzle pieces around. Like letting go of some love affair.. While the closing chapter features answers to some of those questions, the episode before that is the one that holds the key to more than a few loose ends that have been lingering for fans of the show.
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