stacking klon and timmy

My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. The Eventide H9 is another option that I actually have on my personal board. ZVex actually has to have this in one case for this reason. Youve got to keep the modulation and the effect level of this kind of low. This website uses cookies to improve your experience. We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. How are you running the two pedals gain wise? CSP027 TIMMY OVER DRIVE. Browne Amplification Carbon $219+ | Click title for video. Currently, after watching and reading a lot about Klon (e)s on fora . Here are a handful of perfect pedal pairs for creative tone stacking. This has gobs of delay options. Next up is a fun one. I'm a true fan of stacking overdrives. Sts 114 team award criteria. And I think a lot of you guys would like it. This topic is now archived and is closed to further replies. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. thanks for playing! I don't care that the circuits are different, the end result is nearly the same. Might be interested in a bass guitar trade I just Down sized my bass rig so this is up for grabs . TS-style drives boost mids, taper highs and lows, and add some compression and a bit of clean, undistorted signal to the mix. The trick, though, is to make it work well. It may not display this or other websites correctly. I have both & they are completely different. Now, this is obvious because companies like myself have made pedals that combine these into one, like my Double Barrel that has the Morning Glory and a Tube Screamer. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. After many years of using the Klon to goose everything. I'll probably do Katana, TS, Timmy, Klon. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Mayweather vs guerrero memes. I like to use the ZVex Super Hard On and the EarthQuaker Arrows, but you could literally use any two boosts on the planet and this would work. Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . Don't have that exact set-up, but i have a FullDrive2 -> Timmy which is somewhat comparable (with the FD analogous to the TS and the Timmy to the Klone). It's honestly a modern staple; this thing is on a ton of boards for a reason. MXR also makes the Sub Machine and the MXR Blue Box, so you have plenty of options here. Its just music. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. If you want to see the reason this is cool, turn the drive knob up. Start low, and then add gain listen to how the EQ and the compression shifts. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. Reactions: snarf. The GT-500 is a great two-in-one, and like my Double Barrel or some of these others, you have an order toggle so you can choose which side comes first. Someone needs to reverse engineer that bad boy. . Despite its size, it's pretty damn versatile, thanks to three clipping options. So, heres how I get it done: I take a delay (any delay will work, but I really like the Diamond Memory Lane Jr) and I set it to a faint, but almost strong quarter note echo. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should.. I actually like octaves that are a little more glitchy that don't track as well, because the pedals that are technically bad sometimes sound really good. If you want to see the reason this is cool, turn the drive knob up. Between the Klon, Timmy & TS you should find all the boost you need. Click off the Tonebender and turn on a Fuzz Face and voil! Stacking Overdrive Pedals | Reverb Pedal Tricks 290,974 views Jun 16, 2016 Stacking overdrives is an art form, and one that can easily go awry. Basically, that means the bass, mid, and treble are even across the board (also called transparent overdrive), so it makes your guitar a bit more broken up without coloring the actual sound. Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. I like them each on their own but wasn't too thrilled with the combo. When dialed in correctly, this can be four distinct sounds: clean, dirty, heavy, or saturated. Now, what I like to do is take a big ol ambient reverb, like the Old Blood Noise Dark Star. Are there more or less mids? So what do you guys think? I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. Timmy for dirt and Klon for clean boost? Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. The only one who's feeding anyone bull{censored} here is you. Your purchases also help protect forests, including trees traditionally used to make instruments. But, you might be on the wrong forum for this question. They know right from wrong!. How does it sound? EUR The overdrive is what I use 90% of the time, with my boosting being handled by an RC Booster. (continue with the douch bag and asshole comments!). By continuing to use Reverb, you agree to these updates, and to our cookie policy. Your purchases also help protect forests, including trees traditionally used to make instruments. I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. Do the same with the Volume control while adjusting the Gain to different settings. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. And when you stack them, the fuzz suddenly peeks its head out from that crazy mix. To learn more about our cookie policy, please visit our Privacy Policy. You don't want to get all crazy and wash it out. Here are 5 tips to understand as you begin to stack pedals: Trust your ears. I run a Hardwire CM2 or a SD1 into it, depending on what I feel like that day. I'm already in the possession of a TS808 and I'm (happily) running it into an OCDv2. #3. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. The MXR Timmy has more dynamic presence than your regular overdrive. Your purchases help youth music programs get the gear they need to make music. Does the low end shift noticeably? Hey! One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. Personally, I would go Katana, TS, Timmy, Klon. When you combine two boost pedals, in a sense it does the same thing, but you get infinite tweakability. It's fantastic and infinitely tweakable and great for people who like to try different styles of overdrive sounds, and who really want to try something other than a Tube Screamer. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . The BOSS RV-5 is a really, really great option here; it's on so many albums and so many great players still use this. To figure out what your pedal sounds like, try these steps: Start with the EQ controls set to flat (typically 12:00). The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. The list of variables goes on and on. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. Now what's particularly interesting is that in an amplifier like this, the tremolo is after the reverb. Canyon Guitars 360-701-8795 12829 Pacific Hwy SW. Lakewood, WA. Whew! Set the octave up with about 50% dry signal, if you have that option. As Duke Ellington said, If it sounds good, it IS good. There is no right or wrong, only what you prefer. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. What I'm going to show you today are some stacking combos that I personally have used for a long time. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. eBay item number: 304918709122. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. The Timmy has a more versatile EQ section, but sonically they have very similar signatures. Play a chord with the pedal off. It's probably more comparable to a Klon, more of a dirty boost, and if anything it can be a bit bass heavy . I can never get them to behave well later in the chain. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. For a better experience, please enable JavaScript in your browser before proceeding. They probably were referring to the fact that the Timmy can be set for a clean boost. Depending on your pedals and settings, your experiments may have met with mixed results, but the basic idea is solid; use one gain pedal to boost or color the sound of another. Klon Centaur Guitar Distortion & Overdrive Pedals, Fulltone Guitar Distortion & Overdrive Pedals, And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. They work, sure, but they simply dont sound as good stacked as they do alone. The first and most important stacking method that I use and have always used is taking a light gain overdrive, like the Morning Glory, and stacking it with a Tube Screamer. Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. Another really affordable pedal that people forget about is the Fulltone GT-500, which you could get today for $50 - $75. If you want to add another tone to your board, look for pedals that will complement the tones you already have. Kaeri presidential polls. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. Of course, there are times when total cacophony may be exactly what youre looking for. If you haven't tried this combo, you might logically assume that, because both the Screamer and the RAT are known for having prominent mid-range characteristics, the end result of stacking them would be a nasty, mid-honk mess. You can also use drive pedal stacks to change the overall character of your existing rig. Thank you for your request. It's rich, it's thick, it's all the things you love about the Big Muff, but it's just stronger and better. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. Bring up the gain incrementally and toggle between on and off. By all accounts, this attempt was very successful, and the Blues Breaker remains a classic amp-in-a-box overdrive pedal. Ah that was just what I was wondering cause I read a lot of threads mentioning that the Klon makes everything after it sound much better. It's really an addictive sound, and the tactile responsiveness is very satisfying as well. This way, the drives will not conflict with one another. Running a Tube Screamer into a RAT can yield a thick, harmonically delicious crunch when driven by the guitar's bridge pickup, or a creamy, endlessly sustaining "woman tone" when the neck pickup is engaged. Knowing what that curve is will help you know how and where to stack a pedal. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Oh okay, but if I leave the Klon on all the time after the OD, I won't have any pedal to give me a pure volume boost? As you can see (or more importantly, HEAR), stacking drive pedals is a great way to expand your tonal potential. It started through guitar amplifiers. These are just things that I stumbled into, things that I was inspired to do by artists that I love. Okay, in context he may have been talking about donuts, not guitars, but my point still stands. My current set up is a fender player series strat (MIM) into a 65 deluxe reverb reissue. Special Fender strap locks for your strap certificate and candy. I hope this primer on stacking distortion pedals helps you find more sounds that inspire you to create more music. A Beginners Guide to Stacking Drive Pedals. I like the Death by Audio Fuzz War, just because it sounds as big as the case looks.**. some people like to stack them though. ahI saw rolleyes and bor, plus a challenge to call the builders, my asshole meter broke a needle. You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. Lol. Is there any better bang for the buck in a new guitar than this. With a three-decade career as a professional guitarist in Nashville, Tennessee, Sweetwater's Don Carr has a long list of album credits in multiple genres of music. Obviously, the less distorted your amp setting, the more you can influence the sound with drive pedals. For those who just want to get down to business, however, or those who have other grown-up sorts of obligations that might prevent them from sitting around twiddling knobs for hours, there are a handful of proven pedal pairs that are widely known to stack nicely. You are using an out of date browser. 1995-2022 Harmony Central, Inc. All rights reserved. The EarthQuaker Dispatch Master doesn't say it has modulated reverb, but I swear it's there, plus it's a really simple pedal to use. 66one. Myself? Quarter Note + Dotted Eighth = Rhythmic Dual Delay. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Terry B Humble student of the blues . You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. Oh I'm not purchasing the insanely priced Klon, will wait for the new one being released this year. ", wrong its chinese clone of rat before or after chinese rat 2. If you are stacking a given pedal often, you might find that you need to find a new setting that works well both in tandem and standalone. Timmy. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. Listen to the EQ differences in the two sounds. This gives you a darker, quicker initial echo that suddenly morphs into crystal clear repetitions, an effect which I personally find very enchanting. Turn the pedal on and play the same chord. The RF is an efficient speaker and leaves very little of your amp's output behind when played. The last pedal in the stack has the biggest influence on the overall tone. If Im taking my pedals on the road, then Ill probably leave my Klon Centaur at home so it doesnt get stolen. Know What You Have, Decide What You Need Next. That said, it's a great, versatile pedal. Most recognizable dirt tones and many amplifiers heck, entire setups can be recreated simply by combining a few drive pedals together and learning how to make them mesh well. Seriously though, I do it all the time. They boost other effects and add a nice thing to the pick attack and note bloom when they are first. Happy stacking! Klone wars Of all the boutique pedals produced in the past 30 years, the Klon Centaur is probably the most infamous. It's also an inspiring creative exercise. While painfully incomplete, hopefully it will give you some info for practical application and serve as a jumping-off point. In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. Are the highs the same? Good Luck! All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. Germany, IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Thank you for your request. 2. I stack OD's all the time. Please check the fields highlighted in red. Hey! You can be a rowdy rocker again, and honestly, that alone is worth the price of admission for this pedal stacking combo. You must log in or register to reply here. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. Klon (or Klone) > Timmy Even if you opted to do it like that, it would sound different depending on the settings. Might not be the awnser that you are expecting , but do you have a good amp? Some pedal companies actually sell the set of two boosts. they will both say they are original designs and had different starting points. . Today, were putting together some truly great pedal stacking combinations. Beautiful. Stack the Tonebender and the Supro-y overdrive to cop Jimmy Pages tones. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. With even EQ spectrum, based on Bluesbreaker, etc. Now you can level-up your rig with Timmy's celebrated transparent overdrive, designed to bring out the expressiveness of your playing, while giving you access to myriad tones and textures via its four control knobs (Bass, Treble, Volume, and Gain) and a Clip switch with three distinct clipping profiles to fit a range of playing styles. See signal flow here in attached PNG. To be heard. If you have this setup, try it. A common scenario is a clean amp with a light gain pedal followed by a heavier gain pedal. So the VLSDM stayed on my "light" board. You must log in or register to reply here. I use a JHS Morning Glory V4 but you've got options. Strat Talk is the leading online community and marketplace for Stratocaster guitars. For more information, please see our You are using an out of date browser. im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! Mimic, HSH to SSS and SSH (board little Mind). I can't say enough about it. I haven't had much luck with Klones and stacking with other dirt pedals. It's awesome for clean tones. So you can use a Tube Screamer, but I personally use a Klon Centaur when Im jamming at my office. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. one is all i need. This is a really good go-to combo. There is no formula. / , , . I prefer an analog delay as the quarter note front, and then I like a nice digital delay for the dotted eighth repeats. You are using an out of date browser. For instance, lets say that youre playing with a clean amp and have a pedalboard whose dirt section includes a Tonebender fuzz, a Fuzz Face, a Supro-like overdrive like a Bearfoot Honey Beest or a Greer Ghetto Stomp, and a Marshall-in-a-box distortion like the ZVex Box of Rock. MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. I mostly use the amps in church, at home I'm using an Ac4tv. Fully cleaned and lubed with Deoxit Does not include factory box or power supply Thanks for looking and stay safe out there! Trust me. Stacking dimed drives often results in tubby, indistinct tone. Some of the add-ons on this site are powered by. Each new drive will shape the EQ and most drives also increase compression. It's really, really fantastic. I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. It's wide and tall. Next up, take two boost pedals-- doesn't matter what they are --and combine them. What I want to go over is the sound of a Big Muff, and the process of putting that into a Tube Screamer. It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. That's what you need to try. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. Mar 20, 2016 at 6:11am Christopher said: The BB would go well w the Timmy and has a lot of gain on tap if needed. 874-927seven USA Eddie Van Halen wolfgang Guitar In excellent condition. As for those that have a contrary opinionI can't do anything about your tin ears, which is what you would have to have to make the claim that these pedals sound nothing alike. Will keep the Katana though. Wren and Cuff makes a superb Ram's Head clone, with the Caprid, and excellent Colorsound Power Boost clones are available from Buffalo FX, ThroBak Electronics, and others. So to fix that problem, you need to add a Tube Screamer. Lace pick ups Gold powered by an active MDX mid-boost circuit with 25 dB of gain and TBX tone controls, Gold hardware. Literally, you could spend the rest of your life trying combinations. With original hard case and all case candy. The Caverns by Robert Keely has a modulating reverb setting and a delay. Basically, I hit a note and then it bounces back slowly. A Sweetwater Sales Engineer will get back to you shortly. Cookie Notice If you go too far, you can make your tone muddy. Responsive controls let you dial in a wide. Here, the relevant question tends to be "Rat before or after Rat? Check those out. Learn More. The new timmys sound closer to the TIM now. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. Octave + Fuzz = Massive Wall of Riff Rock. Designed to replicate the characteristics of a specific amp. There's a few pedals you could use here. ~ Private rehearsal studio available ~ Completely private, no neighboring bands ~ Top of the line equipment ~ Feel free to contact me for booking *$30 per hour w/ a minimum of 3 hours. I really like my TS into my OCD. JavaScript is disabled. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? Mohammad akhter md. Route 66. The DOD boost is used by itself for a clean solo sound. Theres a little bit of a longer delay time required in this, so you may want to tap in the tempo if your pedal allows that. To reflect our commitment, we updated our terms and conditions. To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. And before you ask, no, were not defeating the Huns. See giveaway details & rules or check out our past winners! Electric Guitar. The possibilities are endless. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. though it probably wouldnt pair with my guitar and amp very well according to the research Ive done. I think this is going to help you be heard. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. I typically break that rule every time I combine tremolo and reverb. I finally understand that the Klon sounds better being goosed itself. 59 . I typically like to keep each pedal's volume around unity (perhaps slightly higher on the Tube Screamer), with gain at about noon on the RAT, and at about 9 or 10 o'clock on the Screamer. For a better experience, please enable JavaScript in your browser before proceeding. ~ Ludwig Gretsch Noble Cooley Tama Yamaha Pearl DW Sonor Uad, Apollo, ssl, neve, 1073, tube tech, Neumann, pro tools, logic, mpc, moog, Manley, empirical labs Drum . Thanks for sharing your experiences, I just got my copy of the RYRA Klone, excited to find the sweet spot! Both pedals have an external tab jack. Maybe you should. Hi all, I'm recently going through an extensive upgrade of my pedalboard and I have come across a wide range of options when it comes to gain pedals and the more complicated issue of stacking. Original models of the Klon have now become some of the most sought after guitar pedals ever made.

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