Distrokid just doesnt have a sync service. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[336,280],'bestfriendsclub_ca-box-4','ezslot_3',109,'0','0'])};__ez_fad_position('div-gpt-ad-bestfriendsclub_ca-box-4-0');This is where it can be particularly important to get yourself setup with Songtrust, because by just uploading your music with DistroKid, you are actually missing out on some money because DistroKid does not collect performance or mechanical royalties. I like the idea of a 1 time payment and bundling almost everything under 1 roof so you dont have to have a few separate accounts. You earn these from the right to "mechanically" reproduce your music in any format. Pay as you upload is a good thing if you hate the idea of having to pay a yearly subscription fee. Distrokid allows you to distribute your music for a fee. You are now more knowledgable than 90% of musicians out there in terms of the music business. You could be missing out on a lot of royalties which will go uncollected if youre only using a distributor. read more 3. You are looking to take your music career seriously and you like the idea of housing more of the royalty collection process under one roof. A composition refers to the lyrics and notes of a song. Technically CDBaby will help you register with a PRO. With that said, because you can use any music distributor to get the job done, here are some articles that compare DistroKid to the competition: Thank you for reading this article, my friend, and I hope you found it helpful as you build your own successful career in music. and here is a $10 off link for Songtrust. You can set this up with Distrokid and it is $4.95 a year per single or $14.95 a year per album, and they take a 20% cut. Don't miss: ASCAP: An invaluable resource for every independent musician How does CD Baby Pro Publishing work? In the UK the main collection society for mechanical royalty collection is the Mechanical-Copyright Protection Society (MCPS) which is essentially the mechanical twin of PRS. Collects the master recording royalties and payments for you (ie: Collects the music publishing royalties for you (ie: performance royalties and mechanical royalties), Signs up you for and allows you to easily submit your music to performance rights organizations around the world, DistroKid does not collect and payout performance royalties for the public broadcasting of your music, DistroKid does not collect and payout mechanical royalties for digital streams and sales that your music makes, Your music is being played all around the world, Your music is being played thousands of times per month, You do not want to sign up and deal with PROs all around the world, You do not want to (or cant) sign a traditional publishing deal or create your own publishing company, Youd prefer a simple way to collect all your music publishing royalties and feel confident you arent leaving any money on the table, Your music is not currently getting very many plays per month, Your music is only being played in 1 or 2 countries. It also keeps tabs on the copyright laws that ensure youre allowed to keep the cover song public and continue to earn money from your master. Both BMI and ASCAP split royalties of a song between the Songwriter and Publisher, and artists have the choice of what percentage of royalties theyll earn from each category during a process called song registration. Any artist that is getting 1000s of plays per month around the world and doesnt want to deal with setting up a publishing company or setting up accounts with every international PRO will benefit from the additional royalties that Songtrust can bring in. Sounds pretty good, but the only thing is that if you voluntarily decide that you want to leave Distrokid and stop paying the yearly fee they will still take your music down. Songtrust charge a $100 upfront fee and then charge a 15% administrative fee on all royalties. My personal favorite DistroKid tool is Playlist Spotlight. If your collaborator doesnt renew their membership the following year, their bank will still receive payments from your release as long as it generates royalties, too. Slaps rewards people who engage with other musicians by promoting their music. You can release cover songs easily, and DistroKid will help you take care of which royalties go where. So registering for sound exchange is important if you are a session musician as well. $485 of the $1592 total are US performance royalties that I would've collected through ASCAP anyway. Unfortunately, they dont (yet). While this seems unsavory, these fees could lead to opportunities that advance your music career. Record labels, artists and producers generally own The Master. Unfortunately, without paying for a membership, you cant get a very comprehensive overview of the types of services and tools it offers, which is why weve included several screenshots of DistroKid webpages. Global YouTube publishing royalties for any video on YouTube that contains your music. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'bestfriendsclub_ca-medrectangle-3','ezslot_7',108,'0','0'])};__ez_fad_position('div-gpt-ad-bestfriendsclub_ca-medrectangle-3-0');To better understand the difference between the kind of money that each of these services collect, it is important to understand music publishing and what money is owed to you once your music is streamed. For the most part, performance royalties are due to you if you, or anyone, plays your song live in a venue, over a stadium loudspeaker, on a radio station, or even in a Starbucks. Winner CDBaby vs Distrokid Sync Royalties: CDBaby (kinda). Thanks for the support. Songtrust is a service that collects the publishers share of your performance royalties and your mechanical royalties. Ditto offer publishing at $39/year and with a 10% commission on all royalties collected. Recording royalties encompass those generated from reproduction rights, synchronization rights, and performance rights. The purpose of a PRO is to ensure that any public performance of an artists song is rightfully paid for, and this includes more than just live performances. It doesnt matter which tier you choose on either platform. A distributor works hard to sell or stream your music, but their main focus is collecting royalties from your master recording. When finishing up a release, you can add on additional charges for services like Leave a Legacy, which will make sure your music stays online forever, even if you stop paying your subscription fee. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'bestfriendsclub_ca-banner-1','ezslot_5',110,'0','0'])};__ez_fad_position('div-gpt-ad-bestfriendsclub_ca-banner-1-0');Instead, DistroKid only collects the money owed from your musics sales on stores and streams from streaming services (Master recording royalties). There are a few options out there, but one of the most popular is DistroKid. They are an important source of revenue if you think youll get a lot of streams on something like Sirius XM, or the free version of pandora. So In total, if Im releasing an album I am going to pay: Thats not exactly cheap, but again, if youre trying to have music pay for your house, its a drop in the bucket. So if someone makes a video with your song as background music and it goes viral, you will get a payday as long as you set up YouTube monetization. The low yearly fee is good if youre short for cash but it will obviously become more expensive than the other publishers weve looked at if you keep your music up for a long time. They do a bit more for their artists than just distribute, but it comes with a higher cut. In terms of CD Baby vs Distrokid, this is almost a moot point but CD Baby is better (kinda). This tool can only split earnings with collaborators who are DistroKid members, but DistroKid will offer a 50% membership discount to your collaborators if they have not yet signed up. Distrokid gives you 100% of the money they receive from digital streams and downloads. Again, CD Baby is $9.95 per single and $29 per album - and that's before they try to upsell you. We don't yet offer admin publishing services. revenue from streams on streaming services like Spotify. If youre getting big streaming numbers and listener engagement then you should definitely sign up for a PRO and a music publishing administrator. Distrokid offers lots of helpful promotional tools to artists. Lets dive in to the world of music royalties. Distrokid will not collect these for you and they can amount to quite a lot of money. CDBaby gives you 91%. You are a music hobbiest. The audio file types DistroKid accepts are WAV, WMA, M4A, FLAC, MP3, and CDDA. This is where Offeo comes in. If you are not signed to a publishing company. Music Distribution. You can set this up through CD Baby with the pro option and they take a 30% cut of what they collect. All mechanical royalties from download stores like iTunes. But, as I mentioned, you only get royalties from songs you released with CD Baby so its very useful if you have done that already but fairly unnecessary if you release music with DistroKid. He loves making videos, thinking, tinkering, running experiments and playing music. Each time you upload a song to DistroKid, it will store a backup file to the cloud. Thats a nice add on by CDBaby, but it really doesnt matter as its just a matter of going to the PROs website and filling out some forms. I also write helpful articles on how to make sweet music and grow those sweet, sweet Spotify streams. They just take 15% of what they collect. CD Baby, if you go with the pro option, has an admin publishing company built in. It is nice that they have an Admin Publishing company and it is nice to keep everything under one roof, but the actual smarter thing to do is to go with Distrokid and Songtrust. Do what you decide is best for you and I hope this article was helpful. Youre just trying to release one song as a hobbiest and have it available on streaming platforms for fun to show your friends. As for the offered benefits and usability of each distribution service, theyre similar. Songtrust collects performance and mechanical royalties from about 98% of the global music publishing market. This means that streaming services pay performance royalties through performance rights organizations who then distribute them to songwriters and publishers. Digital Sales and streams are what most people think of now-a-days when you think of making money from music.. Your understanding should all come together at the end, but even if you only grasp half, youll understand more than most artists and be able to truly make an informed decision not only on CD Baby vs Distrokid, but on a lot of other business decisions that have to do with your music career. However, they can not get your music up on those online stores and streaming services in the first place. in-depth comparison of DistroKid and CD Baby. My recommendation for a music distributor would be DistroKid because they offer unlimited song uploads for a small annual fee without taking a percentage of any of your earnings away. How Much of My Earnings Does DistroKid Keep? Promote Your Music Video With YouTube Ads, CDBaby vs Distrokid: Digital Sales & Streams Commission, Types Of Music Royalties (Beyond Music Distribution), Mechanical Royalties CDBaby vs Distrokid, YouTube Monetization CDBaby vs Distrokid, Performance Rights Royalties- CDBaby vs Distrokid, Non-Interactive Streaming Platform Digital Royalties: SoundExchange, CDBaby vs Distrokid Which Should You Use Conclusion. Opting in to Upstream doesnt commit you to signing a deal with any record labelrather, it gets you on the market to see what you can catch. Mechanical royalties are paid for the right to reproduce a composition through the process of recording, manufacturing, and distributing the work. Its up to you and where you are in your music career to decide where to distribute/publish your music. Its a great system that encourages community. CDBaby vs Distrokid Best for Mechanical Royalties CD Baby (Kinda). DistroKid distributes your music to all of the major streaming services and digital stores, including Spotify, Apple Music and iTunes, TikTok, Instagram, Facebook, Amazon, and many more. It is free to join. The simple answer is that mechanical royalties are payments to the writer of a song whenever that song is reproduced in some form. This can cause big issues in marketing your release because some digital stores and streaming services will not receive and publish the release at the same time as others. The MLC will only collect mechanical royalties for digital U.S. streams and downloads for the DSPs that have signed a blanket license with the MLC. Collecting Publishing Royalties Without Distrokid How Do You Do It? DistroKid subscriptions are relatively affordable, but the service contains a lot of hidden fees. But as youll see there are reasons why I still use distrokid vs CD baby or other music publishers. Nothing on this site should be considered investment, legal, tax, financial or medical advice. DistroKid also uses a few programs to help get its members in front of larger audiences, including Hyperfollow, Playlist Spotlight, Wheel of Playlist, Slaps, and Upstream. Well get more into admin publishing later, but it basically means that CD Baby will go out and collect your royalties from more services than Distrokid. CD Baby have a publishing service called CD Baby Pro Publishing, TuneCore have a publishing arm called TuneCore Publishing, and Ditto also offer Ditto Music Publishing. The base package of Distrokid is a yearly fee for $19.99 and you get unlimited uploads and get to keep 100% of your royalties. You can also get a social phone number to directly text your fans (for $12.99/mo), and this can serve as a great marketing tool. However, maintaining rights through DistroKid comes with additional fees for each of its additional services; the company has to make money somehow. It can be difficult to understand the conditions of royalties, and which types of royalties DistroKid can collect on your behalf. Check out BMI's FAQ page and ASCAP's FAQ page for more information about registering with one of these PROs as an international artist. It helps us keep the lights on here and keeps what we do free :). Also, digging more I learned the true cost of these extra services by comparing CD Baby Pro vs Distrokid combined with Songtrust. The contract with BMI lasts for two years, whereas ASCAP contracts last one year. All publishing performance royalties from streaming services (like Spotify), radio, TV, live concert performances, and much more. Can Distrokid Collect Mechanical Royalties? That difference is completely negligible when you factor it into the big picture of the royalties you are entitled to and the commissions that each service takes. CD Baby Pro Publishing uses the publishing admin system Songtrust which means you get the same publishing services they offer but as part of your CD Baby account. In addition, you can register with HFA and collect mechanical royalties from U.S. sources too. Then 5% goes to any backup musicians, session musicians or anyone who is featured on the track. DistroKid distributes payments every month, and you retain 100% of your earnings. Anyone who wishes to receive digital audio mechanical royalties from The MLC will need to become a Member of The MLC. Does Distrokid Collect Your Performance Royalties? PRS and MCPS on the other hand charge a one-time payment of 100 so you should only really consider signing up to these services if you know youre going to get a lot of listeners engaging with your music and earning you royalties. They do not offer additional music publishing services but instead recommend Songtrust for music publishing. Here are the different types of music royalties and which services and agencies are in charge of collecting them. One third of the music released for public consumption today is distributed through DistroKid. How Much Do Streaming Services Pay Per Stream? Using DistroKid, artists can collect their streaming royalties all their revenue from streams on streaming services like Spotify. This is an excellent tool if you work with a music producer and want to share a percentage of the earnings on your collaborations. Neither CDbaby nor Distrokid do it. There were clear lines between songwriters and artists, you basically had to be signed, and no one dreamed you could ever record a piece of music in your bedroom. However, given the strides that AI has made in the field of graphic design, we can certainly say that a combination of human and artificial intelligence can open up new avenues for creativity and bring increased efficiency to the design process. Summary: Match with the search results: DistroKid does not collect and payout mechanical royalties for digital streams and sales that your music makes. This means you can avoid long wait times, but it also means DistroKid wont help you preemptively avoid legal issues with your releases. However, while DistroKid might seem like a starving artist's dream come true, you'll have to pay a lot of hidden fees to get the most out of it. The deal breaker between CDBaby and Distrokid is that CDBaby takes 9% of digital sales and streams and Distrokid doesnt take a commission. Historically, BMI is more centered around broadcast plays, such as plays on radio stations, while ASCAP, when it first started out, was better for sheet music publishers. These are the royalties that are collected from streams and sales on digital music stores or streaming services. For the most part sync royalties are a stand alone separate thing. *This post may contain affiliate links. If you want to stop paying the yearly fee, you can always transfer and host your songs to another distributor in the future. Harry Fox Agency collects mechanical royalties from Spotify (and most others), though MRI collects from Amazon. If you do decide to go with my option: Here is the 7% of link for your first year of Distrokid. The consent submitted will only be used for data processing originating from this website. It mainly depends on your needs and output as an independent artist. Distrokid will take care of getting you the license so that you can distribute a song that isnt yours. Ideally, your music is being played enough for you to recoup the cost of that signup fee. The differences my be that your label worries about all this for you or you may not be entitled to certain royalties if you only play cover songs etc. The price of this can add up if youre releasing tons of music, but you can pick on a song by song basis to apply and pay for this feature. Since you're an independent artist making original songs, with no record label or signed contracts, you'll most likely put 100% into Songwriting and 0% into publishing. If you are distributing your music with TuneCore and then using them to collect your publishing royalties it makes the system much simpler and its easier to keep track of all your works and money. Youll also receive their email address and other information about them, like what region theyre in and what other artists they listen to on Spotify. So if you do a Paul McCartney cover that gets played a lot on Sirius XM, 50% goes to Paul McCartney, 45% goes to you, the featured artist covering that song. You can choose to pay a one time fee of $29 per single or $49 per album and Distrokid will leave your album up forever in case of a lapsed credit card payment or your death. Also, CDBaby doesnt charge yearly fees, but rather you pay by release. What Music Distributors Collect Publishing Royalties For Me? Distros deal with master rights holders. Here is a link with a Distrokid discount so that you can do the same:Get 7% of Distrokid. Play Your Part continues with maintaining your works data and spreading the word with your peers. DistroKid does not collect mechanical royalties. Before you decide on Cdbaby vs Distrokid, I still strongly recommend you read the rest of the article (at least the next couple sections) before you pick your music distributor. So each stream on a service like Apple Music is a repetition of the master and DistroKid collects the money earned. Distrokid and Songtrust is also a better option if you plan to release music more regularly, as the yearly fee covers all releases rather than paying with each release.Im an optimist and plan to release music regularly and for it to take off, so this is the option I used. Were working on a publishing admin system for artists. Related to sound recordings AND underlying compositions. With BMI, you can register as a writer for free, whereas ASCAP charges a one-time $50 setup fee. The CTR page features tracks by artists with very high CTR who have not received a lot of engagement on their uploads. DECAP explains how to collect royalties as a producer.Mentioned in the video:Distrokid (discounted link): http://bit.ly/36sJQYYSongtrust (discounted link): h. It was almost enough to make me not use them. Youll still have to sign up for a PRO, and SoundExchange, but the duties of Distrokid and Songtrust can be combined (at a cost) into CDBaby Pro. How Songwriters Can Claim It Admin Publishing Companies If you just want most of your basis covered, don plan to release music at regular intervals, and dont care much about commissions go with CD Baby Pro. Different forums have conflicting information about Leave a Legacy with regards to what happens to your music if you cancel your account. Songtrust is a publishing administration company that helps artists collect publishing, mechanical, and live performance royalties. Also, here is 7% off your first year of Distrokid. TuneCore work with thousands of organisations to collect your global royalties. Summary: Collect all your music royalties in four steps. Both companies get you paid, but for different aspects of music consumption, while only DistroKid can upload music. CDbaby vs Distrokid, it doesnt matter, if you want to collect these royalties you have to sign up for sound exchange either way. Non-interactive streaming royalties are paid out by any digital streaming service where the listener doesnt get to choose (interact) with the song. Lets go over its benefits and its downfalls, so you can decide if its the best distribution service for your music career. This works out a bit cheaper than Songtrust but again relies on the fact that youre already paying TuneCore for distribution. Luckily, there is an easy, though pricey solution called Leave a Legacy. Does the MLC take the place of using CD Baby Pro Publishing? So if someone plays a Paul McCartney song at a live venue the PRO pays Paul McCartney and whatever publishing company he is/was signed too. If you are a solo artist, your subscription will cost $19.99 per year. The goal is to increase your CTR by commenting on and engaging with other musicians uploads, and your good karma will reward you by featuring you higher up on the CTR page. You are now a master. To submit your track to Playlist Spotlight, just click +Your Track on the Playlist Spotlight menu bar. Not everyone can afford to hire a manager to parse through the legal jargon, and plenty of independent musicians track and manage their own royalty collection. Another important thing to note is that almost all of these terms and royalty systems were setup long ago when the music industry was very different. 98% of the global music publishing market, from 60+ pay sources, covering 245+ countries/territories, 100% of US mechanical royalties from streams goes to the newly formed. The MLC is the only organization in the US that collects mechanical royalties. DistroKid provides a service to help you easily release cover songs, which costs an additional $12 per year.
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