D.J. helped further Da Real Worlds tomorrowland theme. The song is featured prominently and sampled in the Girl Talk song "Non-Stop Party Now" off the album Unstoppable. Alongside partner-in-rhyme Timothy Timbaland Mosley, the Virginia Beach native has bridged gaps across genre lines, proffering a sort of creativity that gave us a glimpse of the sound of the future before it even happened. Dog in Heat featuring Redman and Method Man, Miss E So Addictive (2001). Recreational use can have its time and place, so long as its soundtrack isnt as flat as this floater with a chorus (care of her mentee, Tweet) that gets far more shine than the verses. Timbaland latched onto her sound he remixed her follow-up hit Turn Off the Light and threw Ms. Jade into the mix which makes sense that Furtado would show for the second take on Freak. Furtado, with a similar penchant for stretching out vowels and embracing gibberish, does the same with Elliott here, at times shrill but still compelling. Teary Eyed, one of the singles from the set, falls into the same trap, albeit at a quicker pace, slotting this below her craftier conceptions. (2003). In the late 90s, when I began creating music, R&B took a back seat to hip-hop and it was easier for me to "make it" as a rapper. On paper, Work It was musically crowded: there are four samples, a lot for any song, including Run-D.M.C.s Peter Piper, Bob James Take Me to the Mardi Gras, Rock Master Scott & the Dynamic Threes Request Line, and Blondies Heart of Glass. But Timbaland plays master surgeon brilliantly, setting the framework of a synth that sounds like birds hitting power lines in rhythm, a ghostly Theremin stretching octaves like putty, and trademarked Timbo percussion that kept the beat moving in time. My Neck My Back - Tiktok Song | New Trend Song (Lyrics Video)#MyNeckMyBack #TiktokSong #TiktokLyrics Mix - Khia My Neck, My Back original song ! Swat Dat Fly is no exception: A bee literally zooms around the track as electro-synths gurgle beneath instructions to do as the title of the song suggests. Beyoncs soprano glides over Elliotts stacked vocals, bringing a gospel element to the midnight-storm ballad. Hers is just as upbeat and chaotic the reintroduction of a classic to the next generation. Khia Shamone Finch Chambers (born November 8, 1977, in Philadelphia, Pennsylvania), simply known as Khia, Thug Misses, or the Queen of the South, is an American rapper, author, comedian and producer signed to her own Thug Misses Entertainment. Its a Womans World, Reebok single (2001). The old-school homage continued on Under Construction with Play That Beat, which samples the vocals and adapts and slows the drum pattern from G.L.O.B.E. 8. For whatever reason, it didnt make the final cut, though it easily could have with its throwback beat and club-ready chorus. Which is why watching so many people Republicans, reality television stars, random commenters on Twitter, and this idiot grabbing their rosaries and clutching their pearls over the content on WAP has been a disconcerting experience for me. Khia is also seen dancing at a barbecue. When I would get out, then it was back to the block, back to the streets, back to the hustle. The self-produced Lose Control is the penultimate of the selections, a Ritalin-chomping whirlwind that pays little mind to structure and bounds from one flaming segment to the next. "My Neck, My Back (Lick It)" is a song by American rapper Khia, released in April 2002 as the lead single from her debut studio album, Thug Misses. Its more in line with the late-era, party-starting fare of her catalogue, with bits of Bounce thrown in for good measure. Elliott dips her quill back into the sensual well for DripDemeanor, an Iconology ballad featuring newcomer Sum1 who fills the requisite role of butter-toned hook slinger. All you ladies pop your pussy like this Shake your body, don't stop, don't miss All you ladies pop your pussy like this Shake your body, don't stop, don't miss Just do it, do it, do it, do it, do it now Lick it good suck this pussy, just like you should Right now, lick it good Suck this pussy just like you should My neck, my back Lick my pussy and my crack My neck, my back Lick my pussy and my . Lick my p____ and my crack 29. (2003). Trina, meanwhile, is considered a whole racy genre unto herself, filling her lyrics with lines that could make even a professional sex worker blush or work that much harder. I chuckled. A rarity in Elliotts discography, The Right One For You was originally included as a Target bonus track on The Cookbook. "Please" scores the moment when Missy checks Tim's phone, while "Elodie" plays when Tim thinks about Missy after a nasty fall. My Neck, my back When she isnt giving in to her quirkier predilections, Elliott can spit a mean traditional 16, outshining her peers along the way. At its worst, it can pierce through the heart of an otherwise notable song, like on Scream a.k.a. Her obsession with all things heat (see also: Im Really Hot, Hot Boyz) is invoked for Hot, a paean to old-school hip-hops simplistic beats-and-rhymes formula. Related:The Wrong Missy Cast Guide: Every Cameo In The Netflix Movie. What makes it even stranger, though, is the constant offering of sit-downs: Rarely do songs stop in their own tracks numerous times for a reprieve, and Elliott takes several, to accept an award and catch her breath as a clock ticks down the seconds. Experimenting with cross-cultural collaborations was a bold move for Elliott, but listen closely and youll hear the shoddy cut-and-paste job laying in Solaars verse. With Barry on the loose, all Gene, Fuches, Hank, and Sally can do is crumble as they wait to see who hes coming for first. Beyond the individualized visions of her solo discography throughout the years, Elliott has become a songwriting and production titan, penning hits for 702, Aaliyah, and Monica, among many others. Underscoring the dirty in Dirty South, Khia raps simple demands as to where she wants to be licked (short version: "all over"), with explicit suggestions towards technique that span two dedicated verses. As Nicki noted, her creative vision behind classic videos . Gossip Folks featuring Ludacris, Under Construction (2002), The retro Gossip Folks coasted on off-measure downbeats, bleating reed instruments, and an upper-register snarl from Elliott, who sustains the tone for most of the track. Is the Federal Government Trying to Kill Off Crypto? Curious that music critics are just now seeing hip-hop as something that women can do, and well aware that Missy would never answer my phone calls, I decide to hit up my girl Khia, who has been creating hip-hop since far before anyone knew who or what a Kreayshawn was. on the edge makin faces n stuff 3. What do you think about this reputation you can't seem to shake? And thats just the instrumentative side of Let It Bump, a barebones pairing of nostalgic rhymes (Remember when Shant was live on stage? asks Elliott) and a knocking throwback beat. Its hard to argue that without her, it has the same spark. A b____ like me moans and screams [12] The song was written by Khia herself and Edward Meriwether. Shake your body, don't stop, don't miss Using the sex-as-drug conceit, Elliott drifts along in a haze on X-Tasy far from the twinkling euphoria of her turn on Ja Rules X, released a few years prior. (2003). "Back in the day, in the nineteen-eighties,. all over your face and stuff Through the night, making so much love Oftentimes, Elliotts limper fare can be traced back to Timbaland, who can fail to develop beat sketches with potential. In the continuum of raw, filth-filled freestyles and salacious soliloquies, WAP does occupy an unprecedented nexus. In my neighborhood, you couldnt leave the house not strapped. Put It On Ya featuring Teyana Taylor and Pharrell, unreleased (2008). Irresistible Delicious featuring Slick Rick, The Cookbook (2005). 51. Elliott commands listeners to wine ya waistline down to the bassline, warming up the pot for the dancehall star to step in and polish it off. I have a soft spot for the underdogs. *Sorry, there was a problem signing you up. You may have noticed we havent even gotten to Lil Kim or Foxy Brown yet, largely credited as the originators of the raunchy rap style (Kim more so than Fox). Elliott hit the nail with this individual version, but its a standard case of the remix outshining the original. The bumbling Whatcha Gon Do arrived on Miss E So Addictive, an album that sustained Elliott and Timbalands future-sound streak. (2003). then suck it off til I shake and cum nigga. Missy Elliott Lose Control (feat. Slap! had its fangs bared, and each rapper served up some spice: Brat snarled, When they see me, I permanently damage they shit internally; Jade spit, Smack the shit out of Clyde cause Bonnie shouldve paid me; and, best of all, Missy went, Turn your man to an ass-licker. Way ahead of her time. the best head comes from a thug Work It also happened to be the most innovative, boundary-shattering single to be released that year, and marked the beginning of a new era for Elliott, ever the creative expansionist, and proverbial genius the world cant ever seem to truly figure out. On the plane, Tim realizes that he texted the wrong Missy, and must find a way to get through the experience without losing his job. A standard Timbaland beat of bee synths and quick-hit bongos introduces Under Construction, an album of out-there tracks as left-field as opening cut Go to the Floor. The LP was all about celebrating hip-hops past and having a blast in the present, duly noted on this dance floor commander. You might get into a fight. Wheezing synthesizer booms and backing vocals lift the chorus, yet Elliott comes off as reductive of her own lyrical style: 305-212-804 is my cell, she raps, number by number. "Champagne" complements a Hawaiian dance sequence featuring a boozed-up Missy, and a cover of New Kids on the Block's "You Got It (The Right Stuff)" is performed during abusiness talent show. This site is protected by reCAPTCHA and the Google All rights reserved. Is This Our Last Time featuring Fabolous, This Is Not a Test! Gunning at the speed of a double-dutch rhythm, Pass That Dutch is wildly weird, surrealist hip-hop that mercilessly pummels, taking only a few gasps of air. Im Not Perfect featuring The Clark Sisters, This Is Not a Test! Start the wiki. [17], Saweetie did a freestyle of the song titled "Icy Grl". Slick Ricks slippery flow has unquestionably played a heavy influence on Elliotts delivery check Joy, the opening track on The Cookbook, the parent album that also features their duet, Irresistible Delicious. A callback to Ricky Ds Lick the Balls, the 80s big-up is all rhymes and chorus, the latter of which cuts to a tranquil slice of R&B. (2003). Bad-girl posturing came naturally to Elliott, but always felt more emboldened when part of a triumvirate. Whos Going to the Met Gala Dressed as Karl Lagerfelds Cat? The software that cloned Drake and the Weeknds voices is easy to useand impossible to shut down. 11. 66. They were obsessed with it: Elliott explored the galaxies in the Mega Man-inspired video for 1997s Sock It 2 Me, Da Real World was set in the year 3000 (and referenced The Matrix throughout), and even the cover of Miss E So Addictive looked like Elliott was suiting up for intergalactic battle. [11] The song is noted for its chorus, in which Khia raps "My neck, my back, lick my pussy and my crack". 20. At the time Get Ur Freak On was released, Nelly Furtado was percolating in the pop world thanks to her breakthrough hit Im Like a Bird and the hip-hop-kissed umbrella album Whoa, Nelly! [Verse 1: Missy Elliott] I bring that sexy back (meow) Go 'head rub the puddy cat Don't you like the way I make you be my little slave? I'm always up against men. When he hooks up with the ideal Missy at a less-than-ideallocation (an airport bathroom), "Times Won't Change Me" scores the scene. Hot Boyz (Remix) featuring Nas, Eve, and Q-Tip, Da Real World (1999). Gettaway featuring Space and Nicole, Supa Dupa Fly (1997). The titular character (Lapkus) likes to booze hard and twerk while intoxicated, which puts Tim in some uncomfortablepublic situations. Dats What Im Talkin About featuring R. Kelly, This Is Not a Test! 102. On & On served as the wonky buzz single for her last album, The Cookbook. If you're in the ghetto, you know, shit happens. 16. 49. 93. Shes a Bitch, its lead single, followed a formula that Timbaland often employed booming bass and kicks, ratatat bongos, cherry-sweet synths on top and unapologetically functioned as a reclamation of the word bitch as terminology for a strong woman, something that Lil Kim reiterates on the albums interludes. The fetishization of men, and equating their worth to the materialistic goods they possess, is what made Hot Boyz such a standout to begin with. Its the type of genius that never got bigger than itself, eccentric and outrageous yet easily accessible, yielding mind-melding confections that challenged the notion of what mainstream pop music could be. Its just that Ive heard worse much worse over the course of my years on Earth listening to hip-hop music. Where she and Timbaland excelled was in finding the equilibrium between dark production and lighter melodies, but this ode to trifling men on the come-up missed the mark. Elliott has a proclivity to lean X-rated, like on Dangerous Mouths, a moody, pouncing duet with Redman on Da Real World. Scream a.k.a. Who is Mike Jones? I like bad boys too, don't get me wrong, but relationship wise, I'm all about the nerds. Its a brassy doo-wop number where, amid a stack of lush harmonies, Elliott rebukes a love interest in the face of how powerless she is to the attraction. Work It. Downtown, taste my love like Horace Brown Tryin' to impress me with your 5 G stones I give you 10 G's, nigga, if ya leave me alone," screamin' [Chorus] I don't want dick tonight Eat my pussy. A general complaint regarding minor spinal pain. I cant lie; when Cardi B says I want you touch that little dangly thing that swings from the back of my throat on WAP, I did a double take. My Neck, my back In 1997, Missy Elliott is the New Negro of hip-hop. Baby Girl Interlude/Intro featuring Mary J. Blige // Outro featuring Mary J. Blige, This Is Not a Test! Elliotts introduction to the world with Supa Dupa Fly was a game-shifter, but her futuristic vision concretely materialized with Da Real World, so concerned with sounding beyond the time and seemingly approximating it. 34. [13] During a studio session, Khia recorded "My Neck, My Back" at Grooveland Studios in Clearwater, Florida. Get up to 4 months free . Elliott bends to musical conventions of the time on Is This Our Last Time, off 2003s This Is Not a Test! Directed by Tyler Spindel, The Wrong Missy released in May 2020. 9. Whatcha Gon Do featuring Timbaland, Miss E So Addictive (2001). Timbaland dove straight into the old-school theme of Under Construction with Bring the Pain, the first full-length track on the album, where he flips RZAs beat from Method Mans quick-tongued 1994 single of the same name. Coachellas parent company AEG is removing any and all videos related to Oceans only performance. But f___ that n____, get on your knees 48. PREVIEW. 89. With Fatman Scoop playing hype man, samples of Cybotrons Clear and Hot Streaks Body Work intertwine as Elliott and Ciara sass at breakneck speeds, making for the formers most tireless dance number yet. When Elliott is bent on soundtracking the party, the far corners of her personality truly bubble to the top. Toggling between acid-tongued rapper and volumizing R&B singer came naturally to Elliott, most likely attributed to her experience with girl group Sista, in which she juggled both. The official remix of the song, the "Roc-A-Fella Remix", features rapper Memphis Bleek. As a solo track removed from its remix featuring Nas, Eve, and Q-Tip Hot Boyz stands strong, maintaining the momentum with Lil Mo, who peppers the chorus with candy-sweet falsetto runs. For me, however, hip-hop has been about the ladies since at least 2002, when a line from Missy Elliots Work It became my outgoing voicemail message (If you a fly girl, get your nails done, get a pedicure, get your hair did) and Khias My Neck My Back taught me that the best head comes from a thug.
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